By Richard Speer Taking in the Technicolor orgy that is Virginia Miller’s affectionate and nuanced 21-year survey of the paintings of Leon Berkowitz (1911-1987), one confronts just how thoroughly the metastasis of post-ironic eye candy has been assimilated into visual culture since Berkowitz’s heyday. In entire sectors of contemporary art (Jeff Koons, Takashi Murakami, Peter … Read More