Art Critic Elisa Turner reviewed “Gunther Gerzo: Defining Mexican Abstraction” in both the June 2004 “ARTnews” and in “The Miami Herald.” She observes how Gerzso’s fluid early drawings, done during 1935-41, when he was set and costume designer at the Cleveland, Ohio Playhouse, laid the infrastructure for the architectural abstractions of his later style. The exhibition traced his evolution from the early works through his ultimate abstractions. 

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